During this period, Rowland dedicated herself to mastering the art of individually crafted ceramics. Parallel explorations of large-scale drawing and the monoprint furthered her efforts to push the technical and creative boundaries of traditional glazed stoneware. Created from the artist’s distinctive formal vocabularies of gestural abstraction, drawing, and collage, Rowland’s sensual and sensitive vessels and figures operate as both functional objects and potent metaphors of the tensions between the visceral and the visionary.

Rowland was born in 1940 in Boston, Massachusetts. Educated at Vassar College and the Arts Students League, Rowland also studied with Richard Diebenkorn at the Santa Fe Institute and was awarded a National Endowment for the Arts Fellowship. Rowland has been the subject of several solo exhibitions in Santa Fe, Sag Harbor, and New York City. Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe’s Fine Arts Museum, and New Mexico’s Roswell Museum and Art Center.